Rules for Writing Residencies

Go somewhere and write. How hard can it be? Wake up every morning knowing that there is no distraction from the page with the exception of Otto the Cat and your co-residents. There are a host of social rules surrounding co-residents, but today I’m focusing on writing. Because I should be focusing on writing—Oh look, there’s a carpenter bee hitting my window for the 10th time this hour!

You have been given a gift of time. And with this gift, perhaps because you’re Jewish (or I’m Jewish anyway) or perhaps because you’re a writer, comes with a full complement of guilt. You really should be writing. Or patting Otto the Cat. There are no other options.

Earlier this week I compared being at a writing residency to being an athlete. You have to pamper your delicate little psyche so it can keep writing. If your brain needs fresh air, take a walk. If on the third day you feel grief and pain and stress, spend the afternoon in bed reading a delightfully schlocky fantasy novel set in a magical alternative Russia. You will be able to write on the fourth day.

Don’t drink too much. Don’t talk to people who put you off your writing groove, should you have one (and you really should). Don’t despair if on day seven you write 463 of the worst words you have ever written in your entire adult life. They are inaccurate and ugly, but they are 463 more words on a difficult topic than you had yesterday. And on day eight you can attempt to make them slightly less hideous. You can do it. Stretch, walk, hydrate.

You really should be writing.

 

Research for Creative Writers

Back in my poet days, it was easy. I could look up facts about whales, anatomy, the violin, crown vetch, whatever obscure item I needed to make my image work. I didn’t have to be an authority on the topic.

If I were a historian, I would know how to breeze in and out of archives to get the information I needed. If I were a journalist, I would know how to call people and get them to talk (in a good way, not in a fake Russian accent mobster kind of way).

If I were an academic, I would have an institution behind me. Instead I have my wavering sense of self. “Hi. I’m a writer? Um. Could I visit your archives? Here’s ten things I’ve published and a sonnet just to prove to you that I’m not an international map thief. And that I’m smart and creative, and never mind.” If I wanted to talk to people for a living I would still be working in bookstores.

If the archives I wanted to visit weren’t in such an expensive place it would all be easier. If my local historical associations awarded gifts to creative writers, it would all be easier. If I weren’t such a fucking introvert, it would all be easier.

But on the other hand, I am not writing the definitive biography of my historical person. I am writing the story of some lives woven together. And my own introverted, curious, poetry-lovin’ self is the narrator. Surely I can pull that off.

How do you do research for what you write? Or create?

Happy Equinox!

I am not feeling terribly happy, but from today on, the days will get longer, and since it’s actually spring, I will try to not get so mad about the unseasonably warm weather that makes plants bloom at the wrong time. It’s not just, “Oh, my poor crocii”; it’s “holy fuck, crops are not getting fertilized at the right time or are getting damaged in the cold, we’re all going to die.” As you can see, I am a tiny ray of sunshine.

I wrote a plot treatment for the fucker. Yes I should have done that years ago, but I couldn’t have. I needed to write it all out to see what I really knew and what I really had. My brain hurts, but I am cautiously pleased with my process.

This spring I hope to finish the Small Beer Book. I want to make some real process with The Fucker. Right now I am in research phase, which is a pretty good place to be. There is a whole new chapter I have to write up, and I know nothing. Fortunately the librarian at Second Job and I are members of the mutual admiration society. She ordered me a book about a store my grandfather worked at in California (take that, Cougar).

What are you doing this spring?

February is Awesome!

Why is February awesome? Let me tell you. There have been three snowstorms in about five days. Normally I enjoy a snowpocalypse as much as the next person, or at least more than the next person, but our snow plow dude did a no show. No big deal, thought the former Southerner. I’m good with a shovel! By a miracle of air flow our side driveway stays pretty clear; it’s just the end of the driveway. How hard can that be?

Well, let’s just say I can move a good deal of plain old snow. Crusty, refrozen iceberglets left from previous road plowings? Not so much. Fortunately I am on the way to work for about five different colleagues, and I phoned around until I found one who could give me a ride.

I didn’t have to worry about going out (after I got home from work) because of the snow and the weekend, and the Spouse was at AWP. So—how fantastic!—two whole days to do nothing but work on the beer book. And then today, another snow day! More work on the beer book!

Now there are gale-force winds (I think), and blowing snow, and although I am profoundly grateful I don’t have to be anywhere, I am stuck. With my beer book. As my house creaks and rattles around me. It’s a morass of first world New England* problems up here (*Let’s just say I have more sympathy with Ethan Frome than I used to). And if I don’t finish this damn manuscript soon, I’m going to lose my damn mind.

How are you guys dealing with winter or writing? (Note: Today, please don’t tell me about your pleasant spring weather, OK? Thank you. My psyche is delicate.)

When You Can’t Write

I’ve had dry spells various times since I decided to write on a regular basis. Although I am not in a dry spell right now, writing is more of a struggle than it used to be. Not having my regular project is hard, and quite frankly the writing part of my brain is still tired. What to do?

Don’t panic. The state of not writing is not permanent. Even Junot Diaz, with his ten-year writing block, came back from it and wrote The Brief Wondrous Life of Oscar Wao. And we’re glad he did. You will write again.

Read. My friend in grad school calls this filling the bucket. Your word bucket is empty and you need more. Your idea bucket is empty. You need more. Read in the genre in which you are trying to write. But be easy on yourself and read some schlock fiction too.

Keep trying. Don’t put that notebook away in a dark corner and then never enter the room again. Go to that notebook every day or so and try some freewriting or just stare at it for a little bit. Stop staring at it before you want to burn it and yourself.

Figure out the underlying cause. Do you hate your book? Did the plot die on the vine? Are you depressed? Do you need to move to Vermont and start a goat farm? Did you move to Vermont to start a goat farm and then regret everything? You get the idea.

How do you survive the drought?

Transparency

Last night I dreamt that a certain potter friend was over for Thanksgiving, which was going to be at my grandmother’s house. She suggested that we clean the living room (which was also the living room of the house I grew up in), but I wanted to finish my essay. Then I sent my BFF (a certain Latin teacher) off to buy wine for Thanksgiving.

What the hell was that about? A subtext was that both friends were at Thanksgiving last year and won’t be at Thanksgiving this year (sob). But really the main point was the tension between having someone tell me I could clean a room when I really just wanted to finish my essay. I am embarrassingly transparent.

[Note: Potter Friend would never tell me that I needed to clean my living room in real life.]

I had to temporarily give up my editing work due to a shitty schedule at Second Job. So I have extra time and less money. I’ve been working on an essay and exploring new projects. I’m excited to have the time to read and think. But it’s daunting. Am I doing enough? When is the next check coming in?

Seven agents down, 143 to go. I check my email obsessively, and last night I woke up to tell my spouse about Soylent. Why? Who the fuck knows.

What’s going on in your head?

 

Letting go of hatred

You might think I’m talking about current events, but I’m not. My current writing problem is that the sight of my manuscript makes me want to barf. But the best way to get rid of it is to finish it. I have to finish it sometime so it might as well be August.

Or I could kill myself. Whatever. (Note: Indy Clause is not in the least bit suicidal. She is reminded of a friend of Anne Lamott’s who told her he could type or die. Yes.)

What can I possibly do to get back into the manuscript? I thought about going to the local coffeeshop, but people would probably annoy me. I thought about going back to bed, but that wouldn’t get me back into the MS. I thought about writing a blog post, and I deleted five tries before I finished one.

I just did it. And now that I’m an hour into my workday, I can tell you that one of the best editing tricks I have for late-stage drafts is to figure out what I hate. I don’t hate the whole MS, I just hate the mealy-mouthed beginning of a particular chapter. I hate the chapterlet that I can’t get to say what I mean it to say even though it seems important. I hate the order of chapter four.

My friends, these are all things I can fix. And now I’m going to ignore bigger picture pressures (Cougar arriving tomorrow, dog squabbles, impending family reunion, no time, no time, no time). Today I’m going in.

And if you want me to write something that isn’t a whine about writing, please send me any editorial questions you have.